manager
通过中国顶级东西方学术展览, 包含视觉艺术与讲座等大型活动与精彩议题,为本地时艺界带来出众文化思潮。
Earlier this year, I was on the way from Shenzhen to Hong Kong on a Sunday afternoon to meet up with a good friend. Having not visited Hong Kong for a while, I realised that many restaurants there are closed on Sundays.
As always, I leave at about 6 pm from my permanent address in Hong Kong, the Mandarin, and ride on an Uber to meet my company for a Carlyle & Co. soiree. Ushered by the dedicating club staffer, the elevator speeds up and my glam Honkie set and I know a lively evening awaits.
Since the very beginning of the year, as the pandemic finally reaches a benign new chapter and threatens no longer the right of mobility, the waterfront of Hong Kong and the riverside of Bangkok have lured me back for business and amical sojourns. The whispers at my usual trotter tete-a-tete often breathe names of the grandiose and the grande-dames whenever I return from my dash.
After three years of anticipation, The Chairman and 102 House once again joined forces in Shanghai at the end of this August, marking their third collaboration. The first time was at The Chairman in Hong Kong, the second at Den in Tokyo, and this time at 102 House Shanghai with the theme of Huangpu River-inspired Cantonese Flair.
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