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通过中国顶级东西方学术展览, 包含视觉艺术与讲座等大型活动与精彩议题,为本地时艺界带来出众文化思潮。
Wintertime in Taipei has never been too harsh, yet I always desire a Siamese sojourn and yearn for the Indochinese sunshine and inspirational exoticism before the winter solstice. The languorous riverside of the Chao Phraya always summons me back. Literature by Swain and Duras has been my best travel company as I lounge in the afternoon with the view of all the vessels painting the vibrant city daily.
Since the very beginning of the year, as the pandemic finally reaches a benign new chapter and threatens no longer the right of mobility, the waterfront of Hong Kong and the riverside of Bangkok have lured me back for business and amical sojourns. The whispers at my usual trotter tete-a-tete often breathe names of the grandiose and the grande-dames whenever I return from my dash.
The inaugural world’s 50 best hotel list surely results in frenzy among hoteliers and luxurious experience fanatics despite the wanting of novelty in view. The palpable optimism in Guildhall to celebrate the growth of post-COVID hospitality industry in mid-September will surely continue for some while. Yet the true impact of this collective, and formative collage of accommodations elected by critiques remains uncertain.
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